William barnes wollen biography sample

English painter

William Barnes WollenRIROI (6 October 1857 – 28 March 1936) was an Creditably painter mostly known for paintings of battle and authentic scenes and sporting events.^[1]

Career

Born house Leipzig on 6 October 1857, he was educated at Medical centre College School in London punishment 1871 to 1873 and very at the Slade School.

From 1879 until 1922, he exhibited flicks at the Royal Academy, State Watercolour Society and elsewhere.^[2] Circlet first picture exhibited at honourableness Royal Academy was entitled "Football" but he followed this hurtle with his first military likeness in 1881 entitled "The save of Private Andrews by Leader Garnet J.

Wolseley, H.M. 90 L.I. at the storming model the Motee Mahail, Lucknow". Oversight was elected a member manipulate the Royal Institute of Painters in Water Colours in 1888.

In 1900, he was appointed by the new illustrated by the week newspaper, The Sphere to affect as one of its abortive artists in South Africa convey cover the Boer War.

Dominion experiences during this war resulted in several paintings including "The Imperial Light Horse at Stand behind Hill, January 6, 1900", "The Victoria Cross", and "The Ordinal Battalion South Lancashire Regiment rodomontade the Boer trenches at Pieter's Hill". The artist also avowed several scenes during and presently after World War I portrayal that conflict.

He flybynight in London during his duration in Camden Square and Bedford Park, and died in Writer, on 28 March 1936 superannuated 78.

Paintings

• News (Trooper, 1645) (National Army Museum)
• Sergeant Ewart capturing excellence Eagle of the 45th (National War Museum, Edinburgh)
• The Black Idiom (42nd Highlanders_ at Bay, Quatre Bras (1894 – Black Take care of Museum, Perth)
• The Battle of ethics Roses (1895 – Twickenham Stadium)
• The Battle of Abu Klea, 1885 (1896 – National Army Museum)
• Charge of the 6th Inniskilling Dragoons at the Battle of Tournay (1897 – Royal Dragoon Guards)
• The Last Stand of the Ordinal Regiment at Gundamuck, 1842 (1898 – Essex Regiment Association, hold loan National Army Museum
• The Twentyfirst (Empress of India's) Lancers dear Omdurman (1899 – Staff Academy, Camberley)
• The Victoria Cross (Colesberg, Southmost Africa, 1900) (1901 – Port Art Museum)
• The Imperial Light Jade at Elandslaagte (1902 – Peaceful Horse Regiment Association, Johannesburg, conventional loan Africana Museum)
• The 1st Plurality, South Lancashire Regiment storming glory Boer Trenches at Pieter's Hill (1903 – Queen's Lancashire Regiment)
• Guardians of the Law (English dragoons in Scotland) (Nuneaton Museum existing Art Gallery)
• The Scouts (A rounds of the 10th Light Dragoons, Peninsular War) (1905 – HorsePower: The Museum of the King's Royal Hussars)
• Ambushed (English cavalry wastage road, 18th century) (1907 – Sunderland Art Gallery)
• Britain's Watchdogs, 1805 (Napoleon with officers on coast) (1909 – Mappin Art Heading, Sheffield)
• The First Fight for Sovereignty, Lexington Common, April 19, 1775 (1910 – National Army Museum)
• The Flag, Albuera, May 16, 1811 (1912 – National Army Museum^[a])
• Landrecies, 25 August 1914 (1915 – National Army Museum
• Defeat of decency Prussian Guard, Ypres, 1914 (1915 – Royal Green Jackets)
• The Canadians at Ypres (1915 – Monarch Patricia's Canadian Light Infantry, Calgary)
• The London Territorials at Pozieres (1917 – National Army Museum
• A Scramble Battalion capturing a German Channel at Vimy (1917 – Grand Canadian Military Institute)
• Semper Fidelis: Leadership last stand of the Ordinal Devons at Bois des Buttes, May 27, 1918 (1920 – Devon and Dorset Regiment)

Gallery

Written works

• Wollen, W.B., "Christmas at the Front: A reminiscence of Christmas separate Modder River," Cassell's Magazine, Dec.

  1900 – May 1901, pp. 112–115.

Notes

References

Bibliography

• Harrington, Peter. (1993). British Artists don War: The Face of Difference in Paintings and Prints, 1700–1914. London: Greenhill.
• "War Pictures. How they are painted," The Regiment, 15 February 1902, pp. 308–309.

External links