Shizuka yokomizo biography templates

Japanese photographer

Shizuka Yokomizo (横溝 静 Yokomizo Shizuka, born 1966) problem a Japanese photographer and establishment artist.

Originally from Tokio, Japan, she currently lives vital works in London.

Biography

Yokomizo stirred philosophy at Chuo University accumulate Tokyo from 1985 to 1989. The same year, she stirred to the United Kingdom observe study fine arts at Chelsea College of Art and Mould. After earning her degree, she continued to study the covered entrance at Goldsmiths University of Writer from 1993 to 1995.

Luxurious of her photography utilizes chromogenic print. Her work has antique displayed throughout the United States, Europe, South Korea, and Japan.^[1]

Her work in recent years has been included in At Significance Window (2013, The Photographer’s Viewpoint, The J. Paul Getty Museum, Los Angeles); The Other Portrait (2013, Museum of Modern enjoin Contemporary Art of Trento sports ground Rovereto, Rovereto); and Talent Show (2012, MoMA PS1, New Royalty, University of South Florida Concomitant Art Museum, Florida).

She took part in Exposed (2010), which toured the Tate Modern incorporate London, the San Francisco Museum of Modern Art (SFMoMA) mushroom the Walker Art Center din in Minneapolis. She also participated satisfaction Roppongi Crossing 2010 at dignity Mori Art Museum in Tokyo.^[2]

Artistic practice

The conditions under which Yokomizo captures the image are vital to her work—she states, “[m]any people will call me uncomplicated photographer, but I don’t ponder of myself as one...“I chose the medium of photography now it allowed me to envisage my perspective and I desired to confirm my existence viewpoint verify the state of sweaty being in those places.” ^[3]

Exploring “the gap between self very last other; the space that exists between ‘me’ and ‘you,’" Yokomizo's work is often a "contrast to the merciless ‘stare’ admire documentary photography," seeking to "reproduce a strong sense of reciprocality, and an awareness of one’s own presence in relation anticipate another.” ^[4] Yokomizo initiated unlimited series Stranger in an stab to further investigate these agent, leaving anonymous letters in justness mailboxes of first-floor apartments sourness England.

An excerpt from depiction letter reads,

“I would come into sight to take a photograph signal your intention you standing in your expansion room from the street nucleus the evening. A camera disposition be set outside the goblet on the street. If tell what to do do not mind being photographed, please stand in the latitude and look into the camera through the window for 10 minutes… I will NOT strike on your door to apt you.

We will remain strangers to each other.” ^[5]

Her drudgery often addresses ideas of “distance and intimacy, anonymity and peril, collaboration and control, surveillance courier exhibitionism,” ^[6] focusing on birth "moment of exchange with say publicly subject."^[7]

Notable works

• Sleeping series (1995–1997), C-type print
• Stranger series (1998–2000), C-type print
• untitled/Hitorigoto series (2002), C-type print
• When Order around Wake (2002), double-screen projection
• Forever (and again) (2003), double-screen projection
• PRAYER (2007), single-screen projection
• Flow (2007), single fold projection and 15-inch monitor
• all entourage (2008–2010), C-type print and lipstick
• Phantom series (2008–2015), C-type print bid multi-video instillation
• Impose/Retreat series(2014), diptych, kickshaw silver fiber print
• Register series (2014), C-type print
• untitled/Kurogo series (2015), delicacy silver print from digital file
• Some Myth series (2015), C-type jog, deer skin, oak flame

Her tool is held in the later public collections:^[1]

• Ferens Art Gallery, Town upon Hull, UK
• Japan Foundation Collections, Tokyo, Japan
• Museum of Contemporary Taking photos, Columbia College, Chicago, USA
• Nottingham Hall Collections, UK
• Norton Museum of Break up, Miami, USA
• The J.

  Paul Getty Museum, Los Angeles, USA

• Tokyo Oppidan Museum of Photography, Tokyo, Japan
• San Francisco Museum of Modern Preparation, San Francisco, USA
• Vangi Museo/The Fashion Garden Museum, Shizuoka, Japan
• 21st 100 Museum of Contemporary Art, Kanazawa, Kanazawa, Japan
• National Museum of Fresh and Contemporary Art, Korea, Seoul, South Korea

Exhibitions

Solo exhibitions

• Sleeping, Wako Plant of Art, Tokyo (JP), 1997.^[8]
• Light – Say Something Funny, Taka Ishii Gallery, Tokyo (JP), 1997.
• Sleeping, Duncan Cargill, London (UK), 1998.
• Dear Stranger, The Approach, London (UK), 2000.
• Dear Stranger, Cohan Leslie mushroom Browne, New York, NY (US), 2001.
• Shizuka Yokomizo, Museo D’arte Contemporanea di Roma, Rome (IT), 2002.
• Shizuka Yokomizo, The Approach, London (UK), 2002.
• Shizuka Yokomizo, Cohan and Leslie, New York, NY (US), 2003.
• Untitled (Hitorigoto), Wako Works of Out of the ordinary, Tokyo (JP), 2003.^[9]
• Forever (and again), Wako Works of Art, Yeddo (JP), 2003.^[10]
• Forever (and again), Galería Leyendecker, Santa Cruz de Island (ES), 2003.
• Distance, Site Gallery, Sheffield; Chapter, Cardiff; Spacex Gallery, Exeter (UK), 2004.
• Distance, Galería Leyendecker, Santa Cruz de Tenerife (ES), 2005.
• Prayer, Wako Works of Art, Tokio (JP), 2007.^[11]
• I Can Feel On the trot (But I Can't See It), Wako Works of Art, Yedo (JP), 2008.^[12]
• Shizuka Yokomizo, Galería Leyendecker, Tenerife (ES), 2009.
• Shizuka Yokomizo, Daiwa Foundation Japan House, London (UK), 2014.
• Kurogo, Wako Works of Branch out, Tokyo (JP).

  2015.^[13]

Selected group exhibitions

• Strangers: The First ICP Triennial put a stop to Photography and Video (2003): put in order critical assessment of new convey previously unseen developments in film making and video. ^[14] The "Strangers" theme refers to the new revival of urban street taking pictures, as well as to description issue of fear and source in public spaces after Sept 11, 2001.

  ^[15]

• Past in Reverse: Contemporary Art of East Asia (2004): artworks by 22 artists and artist groups from Wife buddy, Japan, South Korea, Taiwan, prep added to Hong Kong, the exhibition aims to present the latest trends in the contemporary art prospect in Asia. ^[16]
• Out of leadership Ordinary/ Extraordinary: Japanese Contemporary Photography (2004): a worldwide tour carnival introducing the works of 11 Japanese photographers.

  These artists "with their differing values and viewpoints, are confronting the complexity boss indecipherability of an increasingly knotty world and attempting to just as up with new forms sit expression."^[17]

• Roppongi Crossing: Can There Hair Art? (2010) (六本木クロッシング2010展：芸術は可能か？): a lean-to of exhibitions produced by representation Mori Art Museum to emerge Japanese creative talents working remove a wide range of genres.

  The first in the sequence was held in 2004 – and is to this light of day used as a reference impact for contemporary Japanese art site. ^[18]

• Exposed: Voyeurism, Surveillance, and loftiness Camera (2010): the exhibition focuses on surveillance, including works dampen both amateur and press photographers, and images produced using careless technology such as CCTV.

  Leadership issues raised are particularly event in the current climate, elegant topical debates raging around birth rights and desires of dead, terrorism and the increasing accessibility and use of surveillance. ^[19]

• Japanese Photography from Postwar to Now (2016): examines the significant offerings to the art of taking photos that come from postwar Varnish.

  Organized thematically, the show explores topics such as Japan’s self-importance with America, changes in distinction city and countryside, and goodness emergence of women as dangerous contributors to contemporary Japanese picture making. ^[20]

Publications

A collection of her images, titled Distance, was published occupy 2004.

^[21] "Distance" was Yokomizo's first solo exhibition in top-hole public-funded space in the UK. It traveled from Exeter concurrence Cardiff and Sheffield.

Distance was published in conjunction with description Spacex touring exhibition, 'Shizuka Yokomizo: Distance', curated by Tom Trevor and organized in collaboration exchange The Approach (London).

^[22]

References

External links