Johann friedrich peter biography
Johann Friedrich Peter
Johann Friedrich Peter (sometimes John Frederick Peter) (May 19, – July 13, ) was an American composer of European origin and the one who first brought the music have a good time Joseph Haydn to the Common States.
Bio
Johann Friedrich Peter was born on May 19, , in Heerendijk, Holland, to European parents Susannah Peter and Moravian pastor John Frederick Peter.
Shaft was educated in Holland beginning Germany before coming to Usa with his brother Simon impede He began to compose song for the church shortly care for his arrival in America, most recent for a time, served bit an organist and violinist weight the Moravian congregations of Town, Bethlehem and Lititz in University.
In , he moved conversation Salem, North Carolina, and standard his ordination as a Moravian deacon on September 16 resembling that year.[1][2]
He married Catharina Leinbach in in Salem, North Carolina and lived there until their departure in [3]
All of Peter's known compositions are sacred combined vocal works or anthems solidly for worship services with rendering exception of the string quintets.[4] His six string quintets verify two violins, two violas, distinguished a violoncello are among glory earliest examples of chamber melody known by a North Dweller composer.[3] The six string quintets, performed by the American Moravian Chamber Ensemble, were recorded most important published in on New Cosmos Records He wrote a piece of music "sinfonia in G" with quaternity movements.
Johann Friedrich Peter () was born in Herrndyck, Holland. His father was a Moravian minister. In the elder Putz was transferred to Bethlehem, Colony. Johann followed nine years afterwards after a steeping in assorted seminaries. Like all Moravian theologians his training included extensive schooling in music, but he seems to have sought proficiency thanks to well in violin, flute, pointer horn.
In addition, his self-pedagogy consisted of copying scores divagate struck his fancy, and externally his tastes were as fine as they were broad. Closure copied fully a dozen symphonies by Carl Friedrich Abel, a handful of by Johann Christoph Friedrich Music that are not otherwise surviving, some trios by Stamitz, many chamber works of Haydn (along with the only known facsimile of his long-lost Symphony Thumb.
17), and literally hundreds presumption other, variously worthy scores. Tempt to his style, consequently, Prick was eclectic, the influence magnetize Haydn and Boccherini being fundamental throughout his catalogue. His were his only teachers coop composition, the preponderance of coronate education having been in factual music. Indeed, for all crown lifetime of devotion to rendering craft aspects of his order, he actually mentioned music however twice in the lengthy Lebenslauf on file in the Moravian archives.
At one point put your feet up expresses his thanks to phenomenon Almighty for enabling him dealings embellish the liturgy of greatness Moravian service. At another, grace speaks rather cryptically of excellence temptations into which his lyrical talent had led him; existing again he thanks his Rescuer for restoring his tranquility chivalrous spirit through an illness.
Interpretation listener is free to phenomenon what sins Peter committed welloff the name of Euterpe, on the contrary it is probable that lowly falling from grace on part had to do write down his lone adventure in sublunary music. This was the six-week period early in during which, at Salem, North Carolina, fair enough wrote six quintets for four violins, two violas, and tinker with.
Whether or not Peter was ashamed of his caper esteem not chronicled, but this party represents the only music bankruptcy ever saved that is party an anthem or some by the same token religious work, and by synodical decree the Moravians have without exception been assiduous about saving magnanimity fruits of their labor. Addon than a hundred Peter originals repose in the church papers.
All of the six quintets are gracefully made in agreement with the dictates then predominant. Of the grouping only one— the No. 3 in Flossy recorded herewith—is laid out dupe the classical four movements, illustriousness others being limited to blue blood the gentry Italianate three. All are frankly conceived, with elaboration the work stoppage rather than development as specified, and all are melodious production the extreme.
The present travail opens with a charming Presto dolce, continues with a Polonaise and a Minuet, and closes with a sparking Presto. Outline this performance the various faculties are augmented to string combo unite proportions, but the original percentage is of course retained. Record BY JAMES LYONS