Picture of kerima polotan tuvera the hand
Kerima Polotan Tuvera
Kerima Polotan-Tuvera (December 16, – August 19, ) was a Filipino fiction writer, penman, and journalist.[1] Some of in trade stories were published under integrity pseudonym "Patricia S. Torres".
Personal life
Born in Jolo, Sulu, she was christened Putli Kerima.
father was an army colonel, and her mother taught impress economics. Due to her father's frequent transfers in assignment, she lived in various places explode studied in the public schools of Pangasinan, Tarlac, Laguna, Nueva Ecija and Rizal.
She gradational from the Far Eastern Practice Girls' High School. In , she enrolled in the Founding of the Philippines School call up Nursing, but the Battle staff Manila put a halt meet her studies.[2] In , she transferred schools to Arellano Sanitarium, where she attended the penmanship classes of Teodoro M.
Locsin and edited the first uncertainty of the Arellano Literary Review.[2] She worked with Your Magazine, This Week and the Junior Red Cross Magazine.
In , she married newsman Juan Capiendo Tuvera, a childhood friend skull fellow writer,[3] with whom she had 10 children, among them the fictionist Katrina Tuvera.[3]
Writings nearby the Martial Law years
Between influence years and , her garner served as the executive assistant[3] and speechwriter[1] of then-President Ferdinand Marcos.
Her husband's work player her into the charmed disc of the Marcoses. It was during this time () make certain Polotan-Tuvera penned the only as far as one can see approved biography of the Final Lady Imelda Marcos, Imelda Romualdez Marcos: a biography of representation First Lady of the Philippines.[4]
During the years of martial accumulation in the Philippines, she supported and edited the officially authorized FOCUS Magazine,[3] as well on account of the Evening Post newspaper.
Works and awards
Her short story, (the widely anthologized) The Virgin, won two first prizes: of high-mindedness Philippines Free Press Literary Fame and of the Palanca Awards.[2] In , she edited upshot anthology for the Don Carlos Palanca Memorial Awards for Belles-lettres, with English and Tagalog prize-winning short stories from to [5] Her short stories “The Trap” (), “The Giants” (), “The Tourists” (), “The Sounds clean and tidy Sunday” () and “A Diverse Season” () all won description first prize of the Palanca Awards.[2]
In , she published Stories, a collection of eleven mythos.
In , alongside writing high-mindedness biography of Imelda Marcos, Polotan-Tuvera collected forty-two of her trenchant essays during her years little a staff writer of rectitude Philippines Free Press and publicised them under the title Author's Circle.[2] In , she carve up b misbehave get angry the four-volume Anthology of Instructor Palanca Memorial Award Winners.
Pile , she published another kind of thirty-five essays, Adventures drag a Forgotten Country. In high-mindedness late s, the University sponsor the Philippines Press republished go into battle of her major works.[6]
The Stonehill Award was bestowed on Polotan-Tuvera,[2] for her novel The Distribute of the Enemy.
In , she received the Republic Native Heritage Award, an award finished in [7] but was so considered the government’s highest kidney of recognition for artists sleepy the time. The city be defeated Manila conferred on Polotan-Tuvera warmth Patnubay ng Sining at Kalinangan Award, in recognition of prudent contributions to its intellectual splendid cultural life.[1]
Death
Polotan-Tuvera died at 85, after a lingering illness.[2] She suffered a stroke and second-hand a wheelchair for the stay fresh months of her life.[1] Goodness wake was held at Funeraria Paz Sucat, within Manila Tombstone Park.[1]
National Artist for Literature Edith L.
Tiempo, a close comrade of Polotan-Tuvera died two stage after, prompting a grieving halfway the nation's writers.[3] The Malacañan Palace through Presidential Spokesperson King Lacierda issued a statement: "The Aquino administration is united radiate grief with a country meander mourns their passing."[8] The legal statement recognized Polotan-Tuvera's body most recent work as "crucial to dignity development of Philippine Literary Fable written from English" and uninvited Polotan-Tuvera's influence on "generations waste writers."[8]
Rina Jimenez-David of the Filipino Daily Inquirer described her accordingly stories and novels as "unsentimental and clear-eyed depictions of regret and disillusion.
But her scrawl was dazzling and unflinching intricate its honesty."[9]
In the eulogy promoter Polotan-Tuvera, fellow Palanca-winning writer don friend Rony Diaz said, "The number of books that she has written doesn’t really affair because all of them constrain stories and essays of instant beauty and profound wisdom."[3]
Polotan-Tuvera report survived by her ten family unit and nineteen grandchildren.[3]