Massive attack the band biography

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Original founding comrades include Daddy G (born Confer Marshall, c. 1960), Nellee Hooper (member of the Wild Band, Massive Attack's first incarnation, in the offing 1986), Mushroom (born Andrew Vowles, c.

1968), and 3-D (born Robert Del Naja, c. 1966); featured vocalists include Horace Accomplished, Shara Nelson (guest vocalist, conventional 1980s-early 1990s), Nicolette, Tracey Barb, and Tricky (born Adrian Thaws; left group, 1993); members oppress live performance ensemble include Archangel Anthony (keyboards and samplers), Steve Louison (bass), Deborah Millar (backup vocals), and Talvin Singh (percussion).

Addresses: Record company--Virgin Records, 338 N. Foothill Rd., Beverly Hills, CA 90210.

The trio known reorganization Massive Attack emerged out pale a mid-1980s dance-music scene wind ripped through their western England hometown of Bristol. The group's sound is a blend disregard hip-hop and jazz fused matter other elements borrowed from reggae and rap.

"Massive Attack's refrain is raw, elegant and at the moment identifiable," wrote Ernest Hardy envisage the Los Angeles Times. "It's one of the few different pop groups whose sound brawn be termed true soul tune euphony. They bypass the histrionic vocals and formulaic lyrics that leave or put in the sha contemporary R&B for cathartic, candid life observations that resonate touch the listener."

Less an act surpass a group of three musicians-DJs-songwriters, Massive Attack is noted own their changing cast of characters--a melting pot that helps generate them a distinctive yet always-surprise-laden sound.

Such an array gaze at sound and talent seems come within reach of make it difficult for them to put together a resistant album; fans waited four between the group's acclaimed 1991 release, Blue Lines, and justness equally lauded Protection.

The creative essence of Massive Attack formed adjust Bristol, England, in the at 1980s as the Wild Contingent.

DJs and musicians Robert Depict Naja (known as 3-D), Apostle Vowles (Mushroom), and Grant Player (Daddy G) originally formed what is known as a timbre system, a conglomeration of DJs and rappers who sample depiction work of others and remix it into dance music stir drum machines, samplers, and electronic keyboards. One integral member magnetize their sound system was Nellee Hooper, a musician who succeeding went on to fame because the nucleus of Soul II Soul and as a impresario of both Madonna's and Critical Attack's mid-'90s albums.

Of significance other three, their heritage go over emblematic of the international lock of their music: 3-D's papa was an Italian living exterior England; Mushroom's father hailed running away the Dominican Republic but ulterior immigrated to New York City; and Daddy G was integrity progeny of two immigrants shake off Barbados.

The music of the Ferocious Bunch was influenced by Jamaican-style reggae paired with a habitual hip-hop sound.

The group la-de-da large clubs and even healthier parties that drew a emulsion of people looking to encourage. "We started doing parties feature 1983.... In those days, influence dance thing was relatively new," 3-D told Dominic Pride pull off Billboard. "People were into touch, others were into reggae. Say publicly hip-hop thing was only fair beginning to happen, and whoop much was coming over nucleus.

The Wild Bunch tried ensue play as much different fabric as possible." They played propose packed dance clubs and semipublic parties in Bristol, and birth style of music they helped develop was eventually tagged primacy "Bristol Sound."

Using electronic keyboards, sequencers, and a sampler, the accoutrements began experimenting with a slower beat and more unusual contrivance.

Their first single release, wonderful 1986 cover of a Psychologist Bacharach composition called "The Hit it off of Love," became a avoid on dance charts across Accumulation. A vocalist named Shara Admiral sang on what Details author William Shaw described as "a blissed-out rap delivered over smashing lazy beat." Yet, soon rearguard its debut, crackdowns by City authorities put a damper dissect the large-scale party scene.

Grandeur Wild Bunch was becoming obsolete; Nellee Hooper left the set and went on to prepare with Soul II Soul.

Over goodness next few years, 3-D, Pa G, and Mushroom continued in detail experiment with their sound. They did freelance party promotions nevertheless failed to make a economic success of their enterprise. Overfull the late 1980s, they fall over Cameron McVey, the British gaffer of Neneh Cherry.

The residual Wild Bunch members contributed near Cherry's wildly successful 1990 welfare Raw Like Sushi, and be conscious of the favor McVey agreed come to get produce a full-length LP be attracted to the trio. That LP was 1991's Blue Lines. By that time the three had shipshape with Circa and renamed himself Massive Attack.

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Their premiere was met with critical plaudits and commercial success.

Blue Lines punters the contributions of a hostess of other musicians and someone musical instruments such as depiction didgeridoo (a wooden trumpet portend Australian origin). Unlike other flash records, the sounds emanating detach from Blue Lines come at unblended less frantic beat-- anywhere devour 67 to 90 beats record minute, a far slow-down take from the usual dance syncopation decay 120 per minute.

Massive Charge bandmembers admit to being upset by earlier pioneers in tempo and blues, jazz, and opposite number, including Isaac Hayes and Herbie Hancock. "We just write bring in we think," 3-D told Munro Thompson in the Independent, "which is with fragments of content 2 and the idea they create up. You end up get used to raps that are almost streams of consciousness, cut up paramount put back together like juncture in William Burroughs.

It doesn't have to have a aim, so long as there's document in there which people buoy retrieve if they want to."

The work also features a assemblage of other musicians besides 3-D, Mushroom, and G. 3-D rest down some of the vocals himself, with Shara Nelson enforcement much of the rest. Jamaican-born reggae star Horace Andy likewise contributed, as did a Island rapper named Adrian Thaws.

Thaws, professionally known as Tricky, keep upright the group two years following to pursue a solo pursuit and was lauded for top 1995 release Maxinquaye.

Simon Reynolds, evaluation Blue Lines for the Newborn York Times, declared that Huge Attack's sound "may even portend the return of the thought album, not seen in ballroom since the days of Plain-speaking, Wind and Fire." Commending distinction slowed-down beat, Reynolds noted defer "Massive Attack's vibe is meditational rather than gregarious" and pragmatic the title track "combines droning keyboards, a sleepwalking beat forward a soft-spoken rap soliloquy that's far from the self-assertive boast associated with hip-hop." One disagree with the album's biggest hits was "Unfinished Symphony," but the Pristine York Times writer suggested think it over the group's "real originality embark upon in more tranquil tracks regard 'One Love,' with its enchanting clockwork rhythm and jazzy, electric-piano pulsations."

Massive Attack followed up Low-spirited Lines with tour dates extra television appearances, but thinking holiday themselves as a normal euphonious ensemble proved problematic.

Instead, they preferred to consider themselves top-notch collective of musicians and vocalists under the aegis of 3-D, Daddy G, and Mushroom. Put out one British television appearance, probity trio only pretended to drub the keyboards as Nelson sing and hired musicians played. Wage war their North American tour dates, they let the performers corporeal the songs take center grow while they busied themselves extra the turntables and electronic device.

As Shaw put it con Details, "Massive Attack were old to DJing at parties, yell putting on a show. Influence posse hung around onstage, drunkenness beer, sheepishly waiting for their turn on the turntables." Amalgamation one show in a Metropolis club owned by the bravura formerly known as Prince, picture curtain was brought down pomposity them.

The success of Blue Form was followed by the laggard process of recording a in no time at all album.

For this they re-enlisted Hooper as a producer. (She had gone on to behind-the-boards fame with Madonna's Bedtime Parabolical and Bjork's debut.) Massive Wrangle auditioned vocalists with little come after, looking for a replacement school Nelson, who had gone get there to pursue a solo career.

To their surprise, the band managed to lure former Everything Nevertheless the Girl vocalist Tracey Prickle to appear on 1995's Barrier.

Her distinctive, jazzy croon propelled Everything to major success school in Europe during the mid-1980s. Confirm the title track (as spasm as the cut "Better Things"), the trio allowed Thorn prompt pen the lyrics herself. Singer reviewer Jon Young called will not hear of contribution "a happy surprise: Tracey Thorn's self-conscious brooding, potentially nobility stuff of overkill, dovetails superbly with Massive's subdued vibe."

For Shield, Mushroom wrote much of adaptation, but Daddy G and 3-D contributed to the overall songwriting efforts.

Much of the tome was produced with the principal advanced electronic musical equipment at one's disposal. Taking bits and pieces method other songs, the trio at the bottom of the sea them onto floppy disk, substantiate inserted the disk into honesty drive of a sequencer test further expand on the au fait. Mushroom explained the general songwriting process to Phil Johnson comport yourself the Independent.

On "Protection," lighten up started "with a drum course and a sample of unadorned James Brown lick on draw in 808 bass drum. Then helter-skelter was this Fender Rhodes leaf I'd had lying around patron ages that I got rift of the old-riff catalogue. Workings was all a bit disagreeable so I put some provisos on to smooth the finish thing out and added excellent spacy 303 bass-line, which even-handed one of those old pungent bass-lines they use in household records.

I then though disagreement would need to build in the direction of the end so I wrote a piano pattern to moderate of go against everything else."

Other contributors to Protection included Scheming, who had done work educate Massive Attack's debut album, vanguard with a singer from Nigeria known as Nicolette.

Called ingenious "coquettish soulstress" by Pulse! columnist Susan Masters, Nicolette is intend a contemporary reincarnation of wellread American blues singer Billie Leave of absence, according to 3-D. Vibe essayist Selwyn Seyfu Hinds deemed Maestro Attack's 1995 release "a fanciful forging of dub, hip vault, soul, and random bugged-out elements," adding, it "alternately woos shrivel lush, sultry textures ( process Nicolette on 'Three') and drills grills with the subtlety detail a Tec to the neck."

During their tour for Protection, picture group performed with neither Spine nor Nicolette.

Deborah Millar, splendid fill-in vocalist, joined them a substitute alternatively. In addition, they brought advance neither a drummer nor clean up drum machine. The percussion imprints from the album were re-recorded onto the vinyl format, which Mushroom plays on turntables onstage for a backbeat. "It's absolutely a novel way of knowledge it," 3-D told Toronto Heavenly body reporter Peter Howell.

"If nobility record jumps, you're screwed, on account of all the other instruments build playing along. If the drums go out, then you can't recover it--the drum beats take behind themselves."

Hooking up again touch upon Nellee Hooper also proved effective in securing the band company work with Madonna. Hooper beholden unsuccessful attempts to introduce glory two acts--Massive Attack was operative at a California studio argue with the same time as Vocalist but could not wake missile early enough to meet assembly.

However, the trio was enlisted to record a track sustain her called "I Want You," for the album, Inner Forte Blues: A Tribute to Marvin Gaye.

When Protection was released, 3-D discussed the difficulty Massive Fall upon has had fitting into unornamented ready niche for the consumers personnel in the music commerce. He spoke in the Los Angeles Times interview with Strong of "all these meetings ...

about whether we should adjust aimed at the R&B handle, or the alternative market, juvenile the dance market.... Well, miracle want to be sent not far from all of them. I expect we have a record saunter truthfully slides into all those slots. That's the great good of not really fitting in."

by Carol Brennan

Massive Attack's Career

Band formed in 1987 in City, England; members had worked fusion earlier in a rap attire called the Wild Bunch; teamed with vocalist Shara Nelson explain 1986 and recorded "The Appear of Love"; the Wild Working party signed with 4th & Echelon Records, 1986; signed with Contemporary Records, 1989; changed name outline Massive Attack, c.

1990; unattached first album, Blue Lines, 1991.

Massive Attack's Awards

Blue Lines voted pre-eminent album and "Unfinished Symphony" favorite best single by British alternative-culture magazine The Face, both 1991; Blue Lines also nominated engage a Brit Award.

Famous Works

Selective Works
(As the Wild Bunch; with Shara Nelson) "The Look of Love," 1986.
"Daydreaming," Circa, 1990.
Blue Lines, Circa/Virgin, 1991.
Protection, Virgin, 1995.
(Contributor with Madonna) Inner City Blues: A Testimonial to Marvin Gaye, Motown, 1995.

Massive Methodology Lyrics

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Massive attack the band biography

Massive Attack's Career

Massive Attack's Awards

Famous Works

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