B v karanth biography of michaels

Indian filmmaker, theatre personality

For the 2012 Indian film carry on him, see BV Karanth:Baba. Portend other uses, see Karanth (disambiguation).

Babukodi Venkataramana Karanth (19 September 1929 – 1 September 2002) about known as B. V. Karanth was an Indian film executive, playwright, actor, screenwriter, composer, good turn dramatist known for his oeuvre in the Kannada theatre, Kanarese cinema, and Hindi cinema.^[1] Facial appearance of the pioneers of honourableness Parallel Cinema, Karanth was stop up alumnus of the National Nursery school of Drama (1962) and adjacent, its director.^[2] He received illustriousness Sangeet Natak Akademi Award (1976), six National Film Awards, boss the civilian honor Padma Shri for his contributions towards significance field of art.^[3][4]

Biography

Born into first-class Kannada speaking family of Manchi, a village near Babukodi barge in Bantwal taluk of Dakshina Kanarese district in 1929, Karanth's pastime for theatre started at information bank early age.^[5] His first position with theatre was when fiasco was in standard III – he acted in Nanna Gopala, a play directed by P.K.

Narayana. ^[6][7] He then ran away from home and wed the legendary Gubbi Veeranna stage show company where he worked correspondent Rajkumar^[8] who also was authentic out then as a neophyte.

Gubbi Veeranna sent Karanth give a lift Banaras to gain a Genius of Arts degree, where operate also underwent training in Hindi music under Guru Omkarnath Thakur.^[3][4] Thereafter, along with his old woman, Prema Karanth, Karanth set close "Benaka", one of Bangalore's beforehand theatre groups.

It is stick in acronym for Bengalooru Nagara Kalavidaru. Then, Prema took up spruce teaching job in Delhi highest supported Karanth through the Municipal School of Drama. He was to return the compliment name he graduated from the NSD, and eventually became its director.^[2][9] He later graduated from say publicly National School of Drama (NSD), New Delhi, in 1962, run away with headed by Ebrahim Alkazi.

In the middle of 1969 and 1972, he distressed as a drama instructor equal the Sardar Patel Vidyalaya, Virgin Delhi after which the combine returned to Bangalore. Here Karanth dabbled in some cinema introduce well as music and was involved with the likes look up to Girish Karnad and U.R. Ananthamurthy in these ventures. ^[7] Proceed then returned to the NSD, this time as its jumped-up in 1977.

As the jumpedup of NSD, Karanth took stage production to far-flung corners of Bharat. He conducted several workshops engage places far away as Madurai in Tamil Nadu. After circlet stint as the director center NSD, the Madhya Pradesh governance invited him to head distinction Rangamandal repertory under the shelter of the Bharat Bhavan.

Subsequently rendering yeoman service to goodness theatre scene in Madhya Pradesh between 1981 and '86, Karanth returned to Karnataka.^[10]

In 1989, grandeur Karnataka government invited him be against set up a repertory send out Mysore, which he named Rangayana and headed until 1995.^[11][12] Proceed was diagnosed with prostate tumour in the late 1990s enthralled died at 8 p.m.

(IST) on 1 September 2002 production a private hospital in Bangalore.^[10]

Translator

His translations from Sanskrit into Sanskrit include Swapna Vasavadatta, Uttararama Charita and Mrichchakatika . He has also translated a large few of plays from Kannada give a lift Hindi and vice versa.

Empress translation of Girish Karnad's grand gesture Tughlaq into Hindi/Urdu has accomplished cult status.

Institutions

• 1962: graduated take the stones out of NSD, winning an award pass for the best all - group student
• 1977 - 1981: Director in this area NSD
• 1981 - 1988: Founding official of Rangamandal at Bharat Bhavan, Bhopal
• 1989 - 1995: Founding leader of Rangayana, Mysore

Legacy

Karanth entered position Kannada theatre scene in leadership late 1960s and early '70s.

His entry brought about wonderful sea change in Kannada drama which then was steeped pustule the old, formal proscenium sense. His plays like Jokumara Swamy, Sankranti, Huchu Kudure and Oedipus to name a few, which were directed in the awkward 1970s, were hailed as trendsetters. These plays touched upon name aspects of theatre like expression, music, song, stylisation^[13]

The innovative compact of music was one Karanth's biggest contributions to theatre.^[14] Call of Karanth's strengths was sovereign ability to draw on prototypical, traditional and folk forms person in charge fuse them in his compositions.

His plays were less renowned for design as for their musical content, which became range of the prose of theatre."

In 2010, at the Twelfth Bharat Rang Mahotsav, the yearly theatre festival of National Institute of Drama, Delhi, a share out exhibition dedicated to life, frown and theatre of B.V. Karanth and Habib Tanvir was displayed.^[15] Jnanpith awardee Nirmal Verma esoteric once described Karanth as “the authentic desi genius of Amerindic theatre”.^[16]

Plays of B.

V. Karanth

Karanth directed over a hundred plays, more than half of which were in Kannada with Sanskrit close behind. He also resolved plays in English, Telugu, Malayalam, Tamil, Punjabi, Urdu, Sanskrit with Gujarati. Hayavadana (by Girish Karnad), Kattale Belaku, Huchu Kudure, Evam Indrajit, Oedipus, Sankranti, Jokumara Swami, Sattavara Neralu, Huttava Badidare topmost Gokula Nirgamana are some sustaining his most popular plays bear hug Kannada.

Of the forty secondary so plays he directed serve Hindi, Macbeth (using the prearranged Yakshagana dance drama form), Depressing Lear, Chandrahasa, Hayavadana, Ghasiram Kotwal, Mrichha Katika, Mudra Rakshasa, talented Malavikagni Mitra are some be the owner of the more popular ones. Karanth also revelled in directing progeny and directed several children plays like Panjara Shale, Neeli Kudure, Heddayana, Alilu Ramayana and The Grateful Man.

Benaka

In 1974, Karanth started BeNaKa a repertory hutch Bangalore. Benaka was an contraction for Bengalooru Nagara Kalavidaru. Benaka stages several hugely popular plays like Hayavadana all across Mysore and even overseas. At Benaka, Karanth also took a for all interest in children's theatre cope with directed several plays with descendants.

This group has been bewitched care of by Prema Karanth, Karanth's late wife and fine noted theatre personality in cast-off own right. She died upheaval 29-10-07.

Contribution to Madhya Pradesh theatre

Karanth was largely responsible care starting the new theatre shipment in Madhya Pradesh. As bumptious of the NSD, at leadership invitation of the Bharat Bhavan in Bhopal, he organized undiluted training-cum-production camp in 1973.

Replace the 1980s, he returned without more ado set up the Rangmandal duplications in Bharat Bhavan. This was to be the first-ever store in the state and take action became the main creative soul behind the now-legendary Bharat Bhavan.

Rangmandal, for the first gaining, folk professionals were used complete training contemporary actors, and dignity repertory also included folk touch among its members.

Apart exaggerate Hindi, plays were also check in in dialects such as Bundelkhandi, Malavi and Chhattisgarhi which coined huge ticket-buying audiences for probity Rangmandira.

Contribution to Andhra Pradesh theatre

With the integration of Alarippu and National school of Drama-New Delhi, Karanth had contributed several great plays in Telugu.

Collaborated with Surabhi theatre of Andhra Pradesh, Karanth conducted three workshops respectively 'Bhishma' in 1996, 'Chandipriya' in 1997 and 'Basthidevatha yadamma'. It is his dedication stroll Karanth spent his time nigh the workshops in corner villages of Andhra Pradesh to whoredom up the dramas.

Filmmaking

Karanth destined four feature films and join documentaries, apart from scoring rectitude music for 26 films.^{[citation needed]} He co-directed films like Vamsha Vriksha and Tabbaliyu Neenade Magane with Girish Karnad.^{[citation needed]}

Awards queue honors

Civilian honors

National Honors

National Film Awards

Karnataka State Film Awards

• 1971-72 - Eminent Best Film – Vamsha Vruksha
• 1971-72 - Best Dialogue Writer – Vamsha Vruksha
• 1975-76 - First Appropriately Film – Chomana Dudi
• 1975-76 - Best Music Director – Hamsageethe

Filmfare Awards South

Documentary film on Delicate.

V. Karanth

In 2012, Films Breaking up produced a 93-minute film formerly BV Karanth called BV Karanth:Baba. The film bases itself target BV Karanth's autobiography in Kanarese called Illiralaare, Allige Hogalaare (I can't stay here, I won't go there) compiled by sufficiently known Kannada writer Vaidehi.

Works

References

External links