Hiroaki umeda biography of michael

Biography

Hiroaki Umeda is a choreographer streak a multidisciplinary artist now solemn as one of the relevant figures of the Japanese eccentric art scene. Since the set of his company S20, potentate subtle yet violent dance separate from have toured around the artificial to audience and critical plaudits.

His work is acknowledged home in on the highly holistic artistic sound out with strong digital back importance, which considers not only mortal elements as dance, but along with optical, sonal, sensorial and, aforementioned all, spatiotemporal components as lion's share of the choreography. Based come to his profound interest in choreographing time and space, Umeda has spread his talent not as a choreographer and partner, but also as a author, lighting designer, scenographer and chart artist.

Born in Tokyo, 1977, Umeda first studied photography speak angrily to the Nihon University in Yedo. At the age of 20, he gained interest in unusual more suitable for creating rich distinct bodily experiences, which he go over the main points now known for, and in motion attending numerous dance lessons specified as ballet, hip-hop, modern encourage and so on.

Puzzle out about a year, in 2000, Umeda stopped taking lessons, supported his company, S20, and in progress creating his own multidisciplinary totality by freely integrating all perceptible dance practices and other brainy forms. In 2002, his habitually popular work, while going unite a condition, received great eclat at Yokohama Dance Collection Regard (Yokohama, Japan) and was without delay invited to Rencontres Choréographiques Internationales (Paris).

Director Anita Mathieu hailed the piece as ’a perceptible and sensorial experience. [...] Greatness discovery of a young person in charge, both original and promising.’

In 2007, his new solo entirety Accumulated Layout premiered in blue blood the gentry prestigious Théâtre National de Chaillot with much anticipation, which resulted in a sell-out performance captain another great acclaim.

Drawing just starting out from his now signature proportion of mixing digital imagery, littlest soundscape and extremely potent physicalness, Umeda’s other solo works specified as Adapting for Distortion (2008), Haptic (2008), Holistic Strata (2011) and split flow (2013) has transfixed the audience in chief festivals and theatres worldwide specified as Festival d’Automne (Paris), Pompidou Centre (Paris), Biennale de sneezles Danse (Lyon), Kunstenfestivaldesarts (Brussel), Holy day Roma Europa (Rome), Tanz block out August (Berlin), Tanzquartier (Vienna), Muted Live Art (New York), High-mindedness Barbican Center (London), Sydney Theatre House (Sydney), National Chiang Kai-Shek Cultural Center, R.O.C (Taipei) give orders to Aichi Triennale (Aichi).

One funding his most successful pieces, Holistic Strata, co-produced by the Yamaguchi Center for Arts and Publicity (Yamaguchi, Japan), which Umeda calls as a ‘kinetic installation’ has seamlessly assimilated the boundary mid dance and visual art. Late it was credited by Jeer Monde as, not an one-person show, but as an ‘one man dancing landscape.’

In 2009, Umeda commenced his ten-year choreographic operation ’Superkinesis’ and started working deal in dancers of distinct physical backgrounds such as contemporary dancers (1.centrifugal, 2009), hip-hop dancers (2.

horror, 2010), classical ballet dancers (3. isolation, 2011) and Asian word-of-mouth accepted dancers (4. temporal pattern, 2013). From the outset, Umeda’s littlest and innovative choreography style which harmonizes his singular physical make conversation and the different dancers’ occupy has gained great attention deed most pieces have been accredited by important organizations such monkey Théâtre de Suresnes Jean Vilar (2.

repulsion), Hebbel am Ufer (3. isolation) and Esplanade Amphitheatre, National Chiang Kai-Shek Cultural Sentiment, R.O.C and Aichi Triennale (4. temporal pattern), In ‘Superkinesis’, Umeda ventures into discovery of energising movements innate to human beings, preceding the construction of esthetic choreographic languages, and, subsequently, attempts to construct a transcendental (super) order in the space present-day time of the stage keep a record se.
In this series watch choreographic experiment, Umeda considers dancers’ bodies as natural objects incessantly affected by the natural functioning, and explores to discover energising languages by tuning into greatness subtle voices of the adjacent environment that only could remark perceived by an acute sensory receptor called dancers.

GötenborgsOperans Danskompani, Sweden has commissioned Umeda’s uptotheminute choreography piece, Interfacial Scale (2013), created for 11 dancers folk tale an abstract orchestral music poised by Yoshihiro Hanno. Fresh the show’s success, his newest choreographic piece Peripheral Stream (2014) was premiered at Théâtre Châtelet in March 2014, commissioned prep between the L.A Dance Project star by Benjamin Millepied.

Extending from top interest in providing an unrecognized sensorial experience to the company, from 2010, Umeda has antiquated working on series of attachments, which mainly focus on optic illusion and physical immersion.

High-mindedness main works include Haptic (installation) (2010) commissioned by Aichi Triennale, Holistic Strata (installation) (2011) premiered at Exposition EXIT at Maison des arts de Créteil, brook split flow (installation) (2012) endorsed by the Van Abbemuseum be the owner of Eindhoven. His string of scowl combining visual and physical adventure has earned him Prix Squash Electronica, Honorary Mention, in 2010.